headline New Works 2009

 


'A'Salaam Aleykum : Peace Be Upon You' (PARATISSIMA 2009)

THE WALDENSIAN CHURCH OF TURIN, 23 CORSO VITTORIO EMMANUEL II
DJ SET + LIVE MUSIC
NOVEMBER 6,7,8 2009




venerdì 6 novembre
/san Salvario Sound Station/ presenta:
"Strong signals from earth"
con
Diego Borotti, saxofoni e EWI
Paolo Ricca, tastiere
Tarek Awad Alla, percussioni

sabato 7 novembre
/san Salvario Sound Station/ presenta:
ElectroMystic/ - /Viaggio sonoro dall'arcaico all'infinito
Djs Luciano - Andrea Frola



 
.The Waldensian Church of Turin   .setting up
     
 
     
     
 
     

 
. the crowd begins to pour in from the streets   . all are welcome, including canine friends...
     
 
. DJs Luciano & Andrea Frola   . San Salvario Sound Station (Tarek Awad Alla, Diego Borotti, Paolo Ricca)

 

 

 

'A'Salaam Aleykum : Peace Be Upon You'

Fondazione Merz, Turin, Italy
July 28 - August 2, 2009


Opening Night : July 28, 2009




Online video documentation of A'Salaam Aleykum at Fondazione Merz:
http://www.youtube.com/watch?v=s2XnP13UWSE

 

 
allah2  

Artist Statement : July 2009

There is a thin line between reality and dream.

The problems with trying to live in a post war city are many. Nothing works the way it should. Not even the people. We live under the threat that at any time, things could flare up again.  We live under the constant humiliation of the horrible things we did to each other only a few years earlier. I remember the stories of the Holiday Inn Hotel. It is one of the highest buildings in Beirut. During the civil war, it was taken over by a militia who found it trendy to throw people off the rooftop and try and shoot them in mid air. Today we stand side by side as we wait in lines to get into nightclubs.

We dance a lot in Beirut.

Dancing, it seems, has become a form of healing. Dancing, it seems, helps us to forget why we turned against each other. As our bodies move together in small dark spaces, we begin to realize that flesh is flesh and we are all the same. As euphoria takes over, we try to forget why we used religion to kill. Why we found each other so different.

I am searching for a God that transcends boundaries.
I invite you to come and dance. To forget what tears us apart and remember what brings us together. To attempt forgiveness.

Welcome. Peace Be Upon You.

     
allah3   allah1
     
  allah dancing
     
allah dancing 3  

A'Salaam Alaykum : Peace Be Upon You
An Interactive Sculptural Installation by Zena el Khalil
With Ayla Hibri

Tuesday, July 28 2009 at 9.30 pm
The event is part of the exhibition METEORITE IN GIARDINO (Meteorite in the Garden)
Maria Centonze, Curator

A’Salaam Alaykum: Peace Be Upon You is the third of the four events that feature in Meteorite in Giardino, a visual arts exhibition curated by Maria Centonze and titled after a work by Mario Merz, dated 1976.
The “basin” outside the Fondazione - which is the space that was used as a container for the tanks of the former heating plant - will host a cycle of installations. Each one will be on show until the following event, with the usual opening hours of the Fondazione, from 11 am to 7 pm.

Through her work, A’Salaam Alaykum: Peace Be Upon You, el Khalil portrays a generation living with war as a constant memory, always aware that it might start again any time, but still longing for peace, hoping to get back to normality.
The installation displays the word “Allah” in Arabic letters: a rotating 4-meter-tall sculpture made of glass mirror tiles that reflect the lights from the spot lights placed on the borders of the Fondazione’s outer basin.

The installation includes a DJ set by Ayla Hibri, who recreates the atmosphere of the Beirut nightclubbing scene, and is completed by a screen projection of images celebrating everyday life in Beirut.
Visitors may take part in the performance, dancing as if they were in a real disco.

The installation is realized in collaboration with the Galerie Tanit in Munich and Beirut.

 

 

 

 

'Queens & Kings'

'Golden Gates'
46 Rue de Sévigné, Paris 75003
October 20 - November 13, 2009

 

 

Queens And Kings

 

I have been known on many of an occasion to claim that I was Asmahan in a past life.
Well… why not?

As Asmahan, I often felt torn between the two worlds of the East and the West. I sang to build bridges. While the French, British, Germans and Turks fought their wars on our land, I sang about love. To my family, the great warriors who protected the Syrian and Lebanese mountains, I asked them to make peace with me as well as our European guests. The world was changing and we had to adapt. I truly believed that life could exist without turbulence.

These are portraits of men and women, from my past and my present, who have great stories I would like to tell. People who make up the fabric of where I live.

Many of these Queens and Kings have often been the subject of misinterpretation. Have often had their histories misunderstood. Have often been the subjects of stereotyping. Just like me. Just like Asmahan. It is a fact that victors write history, and Lebanon, it seems, has many winners and no collective reality.

What if these people could speak for themselves.

 It could happen in a dingy hotel lobby on tables covered with crushed red velvet. Or a 24-hour Seven Eleven waiting in line to buy sky blue slurpies. Or the steps of New York Public Library or the H&M on Oxford Circus. Or the old Modca Café on Hamra Street in Beirut.

I want to learn how to sing like Asmahan. My great grand aunt. A star of early cinema in Egypt. The Druze princess who was mysteriously assassinated because she lived before her time.

.Fatima (Version Hakawati), 115 x 80 x 45 cm    
     
 
.overview    
     
 
     
     
 
.Hassan (Feeling Pensive), 70 x 45 x 15 cm  

.Ziad (Aggitated Benevolence), 110 x 45 x 15 cm

     
 
.Musa (Apparently There Is An Avenue Named After You In Iran), 86 x 50 x 10 cm   .Lana (From Che to Dolce), 220 x 45 x 20 cm
     
 
.Balqis (Swear to Me That Though Will Not Take Me By Force, She Told Solomon), 153 x 40 x 30 cm   .Leila (Khaled), 135 x 50 x 40 cm
     
 

.Hind The Tame (Having Little To Do With Hind the Wild), 170 x 60 x 24 cm

 

.Wedad (With A Touch of May), 183 x 50 x 20 cm

     

 

 

 

'1,001 Knights'

'Hopes & Doubts'
The Dome, Downtown Beirut, Lebanon & The Merz Foundation, Turin, Italy

December 2008 & January 2009

 

BEIRUT: THE DOME BUILDING    
 

I was born in war. Everything around me now is war. War has always been.

I cannot remember a time when there was no war.
I was born in 1976. I grew up watching far too much TV. I became a key player in the newly established consumer culture. I watched cartoons, music videos, and wars being televised. I grew up with Madonna and Michael Jackson... Iron Maiden and Bon Jovi. Pink is like cotton candy. It’s fluffy and sweet. Too much of it, though, will leave your teeth rotten and a bad pain in your stomach. It’s quick and superficial. It pulls you in fast, but leaves you feeling very empty. Like a shopping spree at a giant mall. Spandex, lolipops, MTV versus Communism, glitter, shoulder pads, the war to control oil, Glam Rock and hairspray, Thatcher and Regan’s conservative revolution versus Barbie and Jem, high-tops, Rambo, and fluorescent earrings to me are the backdrop that represents a generation that grew up pink.

My work as a by-product of political and economic turmoil. My attention is directed to issues of violence, gender and religion and how they find their place in our bubblegum culture. Walking along a street in Beirut, one will find a large painting of a martyr, next to a shop that sells lingerie, next to a billboard advertising beer, next to a cop holding a Kalashnikov, next to a man with a pushcart selling the latest pirated Shakira CD.

I am trying to expose the superficialities of war in our region. I am trying to convey the message that war is a commercial venture and is as shallow and forged as the plastic in my soldiers.

Enter my 1,001 knights.

     
 
     
 
     
 
     
 
     
 
     
   

 

TURIN: FONDAZIONE MERZ